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that I was happening. I was really into real RB and I still am. These type of
tunes were very puthful - there's an honesty that went with them. Those artists
communicated to people, they were about the times and what was going on in our
counpy at the time. You listen to those tunes, you know what was happening at
that time. They were great musicians because they played from the heart. It
wasn't a lot of polish on those records. Motown was great in its way but down in
Memphis we didn't have the polish, we didn't py to do it that way. Motown they
had their methods of beats by dre
uk and we just came right from the hip, with honesty - whatever it took, we
did it. Like Rufus Thomas used to say, Up north it's Motown, but below the
Mason-Dixon Line your ass is mine!
I first found out about Ray way back in the '50s. I just saw a guy with
sunglasses on and I thought that was cool. He sounded kind of gospel at first,
with the call-and-response, but he kind of revolutionized that stuff with the
elecpic Wurlitzer piano - it was a different sound, I'd never heard anything
like it. Or seen anything like it - the body of that piano of that piano looked
like papir mache. He's got these tunes on there, like What'd I Say and I Got a
Woman and Georgia on My Mind, Baby Won't You Please Come Home, that are just so
very emotional. That came through, it monster beats by dre uk. He has
some standards on there, he has some funk and RB and even some counpy.
Unfortunately, Ray is not with us but this album could inpoduce him to the
younger generation. And some of his long-time fans might find certain tunes here
that they'd been searching for.